from The Boy Who Stole
Attila’s Horse
“it looks impossible to get out,” he says. And also: “But we’ll get out.”
To the north, the forest borders a mountain range and is surrounded by lakes so big they look like oceans. In the centre of the forest is a well. The well is roughly seven metres deep and its uneven walls are a bank of damp earth and roots, which tapers at the mouth and widens at the base, like an empty pyramid with no tip. The basin gurgles dark water, which filters along faraway veins and even more distant galleries that flow towards the river. It leaves a permanent muddy peat and sludge specked with bubbles that pop, spraying bursts of eucalyptus back into the air. Whether due to pressure from the continental plates or the constant eddying breeze, the little roots move and turn and steer in a slow, sad dance, which evokes the nature of all the forests slowly absorbing the earth.
The older brother is big. With his hands he digs up lumps of sand to form a step strong enough to hold him, but when he lifts himself up in the air the weight of his body defeats him and the wall breaks.
The younger brother is small. He sits on the floor with his arms around his legs, blowing on a fresh graze on his knee. While thinking that the first blood always falls on the side of the weak, he watches his brother fall once, twice, three times.